What’s A Turkey?

by:

Joe Patti

A little audience participation activity in the spirit of the season—

I was looking up the story behind terming a Broadway flop a turkey and discovered I can’t find anything definitive. The story I had originally heard was that any show that couldn’t sustain itself past the holiday season was termed a turkey. Good for consumption only during the holiday season I suppose.

Searching the internet, I came up with this quiz about turkeys in general which claims the term originates “After a show called “Cage Me a Turkey” that was so bad it closed before intermission on opening night.”

That story frankly doesn’t ring true for me.

I found another explanation on a listserv archivepost by Gerald Cohen that literally employed a turkey or the egg argument that doesn’t solve the mystery.

“Theatrical _turkey_ is traceable to burlesque theatre, but here a problem arises: we find reference both to _turkey shows_ and _turkey troupes_. Which one came first? Were the turkey shows so called because they were performed by turkey troupes? Or were the turkey troupes so called because they performed turkey shows? And whichever came first, why was _turkey_ used?”

Cohen later gives the best explanation I have found.

“In the mid-1920s _turkey (show)_ was extended from a strictly burlesque context to the legitimate theatre — a development apparently due to an unusual streak of bad quality that hit the legitimate theatre in Syracuse at that time. The road shows were derided in Syracuse as ‘turkeys,’ with clear reference to the itinerant (fly-by-night, grossly incompetent) turkey troupes of burlesque vintage. From Syracuse the extended use of _turkey_ ‘third rate production (in the legitimate theatre too)’ spread to New YorkCity and hence into standard slang.”

But that is merely the best explanation in terms of best research. I am interested in hearing what other stories are out there to back up the use of the turkey label. If you a story, I wanna hear it, so tell it in the comments section.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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