Young Board, Old Board, Your Board

I saw a very interesting article on board composition in Arts Presenter’s online version of Inside Arts Magazine. (Have to provide email address to read.)

The piece essentially tackled the idealism vs. practicality issue in relation to age of board members. While everyone strives to have younger people on their board, the reality is that the young folks often aren’t far enough along in their lives to offer a non-profit board the time and money (or social contacts with money) that more..seasoned..members of the community can.

Despite some ancedotes which support the idea that older people more easily meet the board requirements of many non-profits the article stresses the importance of making the effort to attract younger members. Their involvement in the board would have to recognize that they need time to raise families and aren’t able to meet the Give, Get or Get Off criteria at this stage in their lives.

Certainly it is just as important to recruit the right young members as it is older members and not just bring them on board because of their age. The article mentions quite a few benefits younger members can bring as well as pointing out some erroneous assumptions.

Give it a read.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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