It is only a coincidence that this entry like the one last week is about a theatre podcast. I only recently noticed that the Talk Theatre blog/podcast page had merged with Theatre in Chicago to become Talk Theatre In Chicago and wanted to explore it.
Not living in Chicago, I don’t know what other resources exist, but I have to think this site is set to become the premiere source of info on theatre in and around Chicago. There are listings of current shows, what is coming soon, a separate link for kids shows, news about theatre around town and the collected reviews for each show from the papers around town.
And there are the podcasts. What I like about the podcasts are the way they are presented to visitors. There is a brief description of each show and then when you follow the link for a particular show you have the choice of listening to the complete show or going directly to the news, reviews or interviews segment.
One thing that became apparent though was that it may take a little while for people to become accustomed to formatting their programs for the podcasting medium. The first podcast I chose to listen to was an interview with Goodman Theatre Executive Director Roche Schulfer.
Unfortunately, the start of the interview was reminscient of the conferring of an honorary doctorate by a university. The interviewer went on and on for nearly three and a half minutes reciting Schulfer’s bio. I actually haven’t listened to the interview yet because after a 1:30 or so, my only interest was seeing how much longer the dry recitation was going to continue.
I am happy to report that after sampling a handful of other interviews and reviews, the host reached the point of the program much quicker. My first impression as a theatre person though was that this l-o-n-g intro was not wise on a medium mostly utilized by people with expectations of more immediate gratification and shorter attention spans.
Podcasts in general and the Talk Theatre in Chicago website in particular, provide super opportunities for introducing and educating people with little experience all about theatre. You can visit, find a performance near you, read the reviews for it and listen to a podcast so that you can at least start to become familiar with theatre vocabulary and the way people discuss it.
But first they have to be interested enough not to skip over an interview because it starts out so damned boring!
I can understand why folks would want to give people their due and I concede that I often ramble a bit in my writing from time to time before getting to the juicy interesting stuff. I too have sinned! On the other hand, theatre people should know that exposition should be played out across the length of the play rather than clumping it all at the beginning. (Again, I too have sinned.)
The endeavor looks like a promising resource for the Chicago theatre community which has always had a great reputation to begin with. It would be super if other cities could adapt/expand on what they have done for the culture of their communities.
I run the podcasts for talktheatreinchicago.com and I appreciate your comments. Yes, I learned that long intros and long bios are boring. I guess I am so impressed with Roche’s accomplishments that I felt they allhad to be mentioned. I am leraning the formula for effective podcasting. Thanks for the imput.
Tom Williams