When Artists Get Old

by:

Joe Patti

By way of a weekly newsletter from NYFA, I learned about the start of a continuing study by the Research Center for Arts and Culture at Columbia University that looks at the needs of aging artists. They had conducted earlier research on New York artists (along with those in other cities) in 1988 and 1997. According to the executive summary, there is an urgency to this study based on the impeding retirement of baby boomer artists.

While foundations and other funders have long directed their largesse to emerging and even mid-career artists, notably few have concerned themselves with the artist as s/he matures into old age- artistically, emotionally, financially and chronologically. Special attention to aging artists is important for material support and policy-making and is made more urgent in a time of scarce resources when the baby boomer generation is about to enter the ranks of the retired.

Among the problems faced by the Research Center is actually finding artists. “Past evidence shows that as people age, they often become more isolated from each other, making it difficult for organizations to serve them as a group as well as posing many individual problems.” The Research Center uses a methodology developed by sociologist Douglas Heckathorn previous employed to conduct a survey for the NEA that required them to seek aged jazz musicians.

I heard a series of interviews on NPR last year about the jazz survey which really underscored the plight of these jazz musicians now that they had retired. It was the recollection of these stories that made me notice the call for study participants on the NYFA newsletter.

If you read this blog and are an aging artist (62+) living in the five boroughs or know someone who is, contact the Research Center for Arts and Culture at 212.678.8184 or email rcac@columbia.edu. There is also a meeting on March 27, 2006 from 6-8 pm about the study.

Photo of author
Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

Are You Worth Your Age?

Leading From the Top

Leave a Comment