Neo Classical – Page 2 – Holly Mulcahy on the future of classical music

When Life Gives You Lemons…

Mon, Jun 2, 2008

by:

Holly Mulcahy

From gas to wheat, the price of everything has shot up faster than many can comprehend. In the classical music world, there seems to be an unspoken anxiety over whether or not these changes will end up hurting the arts in one way or another. Donors might think of cutting back, companies might not sponsor as many events, and families might decide to skip live performances altogether.

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Does This Violin Make Me Sound Fat?; The never-ending search for the perfect instrument.

Mon, May 5, 2008

by:

Holly Mulcahy

May is here and along with ushering in a new summer, it also serves as the gateway for swimsuit shopping. As magazines begin telling us which suits are now fashionable and how certain ones work best with certain body types, many of us are beginning to think about how we’ve changed over the winter and if our current swimsuit still fits. At the same time, I’m comfortable with my body and don’t lose sleep over whether or not I conform to the latest fashion craze. Tired clichés such as “Does this suit … Continue Reading

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Too Much Of A Good Thing

Mon, Apr 7, 2008

by:

Holly Mulcahy

While reading the last few editions of International Musician, the best reference orchestra musicians can use to find the latest job openings, it seemed as though there were far more job openings than usual. My initial reaction was one that I’ve had ever since I was in college: excitement from all of this opportunity.

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Trombone Envy

Mon, Mar 31, 2008

by:

Holly Mulcahy

As a violinist, every now and again I come down with a classic case of trombone envy. Warning signs include angst about the amount of notes I have to play, yearning for a naturally louder instrument, and worst of all, utter frustration over why the trombone isn’t used in half of a symphony. On more than a few occasions I catch myself thinking ‘this isn’t fair’ as I rub my tired arms during rehearsals. String players, violins in particular, usually slave away for an entire piece while the trombone players get to … Continue Reading

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Too Much Information

Mon, Feb 4, 2008

by:

Holly Mulcahy

Last night’s concert started off just like any other concert; the lights went down, the orchestra tuned, and the conductor came out bowed to the audience. What happened next caught me by surprise. Immediately after the conductor took his bow he assertively turned to the orchestra and gave the downbeat. What resulted was an energy in the hall that was driven by anticipation followed by a feeling of relief when the first phrase of music was completed. This might not seem like an unusual event but in the last several years of … Continue Reading

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