Putting My Words Where My Money Is

by:

Joe Patti

After writing my blog for nearly two years, I finally got around to doing something that seems like a blatantly obvious step–I engaged people at working in a discussion of the implications of an article I wrote on.

Up to this point, I have attempted to translate my theories into policy and practice at my job. People at work do read my blog so from time to time someone initiates a conversation about what a genius I am. Occasionally I refer to a situation that arises as being similar to something I have blogged about.

While I have come into work and asked for feedback on a change I was considering, I have never actively solicited a dialogue specifically about something I have read. A couple weeks ago, I did just that.

I told my assistant theatre manager that I would like her to read The Diversity of Cultural Participation report I wrote about at the end of November. I told her when she was done, she could let me know and we would discuss the implications to our operations when we had the time.

Despite my insistence that she not, my eager assistant manager went home and read it over Thanksgiving. We had our discussion last week. For the most part, our discussion reminded us about the importance of continuing to be hospitable to our audiences so they feel socially fulfilled. (One of the few areas where a negative experience does not get the benefit of the doubt.) We also came up with some promotional ideas to try out after the New Year.

The real value in my mind of the discussion wasn’t in the brain storming and the policy making. The ideas may ultimately yield very little on time and money we may invest in them. The real value was found in process of discussing my vision, her perception of where she is fitting in to the organization, where she is proud about being effective (and where she feels ineffective)and her sharing some ideas she hasn’t felt comfortable mentioning.

There is something about discussing theory that seems to remove some of the restraints on discourse. I guess conversations at weekly staff meetings on the need to repair the golf cart and buy new lighting instruments aren’t conducive to topics like what activities are contributing to one’s self-actualization. Who woulda thunk it?

I am starting to consider doing this sort of thing on a periodic basis with some alterations. (Some folks in the building wouldn’t relish a reading assignment.)

I also got to wondering if any other organizations out there went through a similar process where articles were passed around with the intent of engaging in serious analysis. Actually, I should qualify this by saying passing around in the absence of a crisis. I have seen plenty of articles circulated with dire portents about funding. I am curious about when someone takes the initiative while in a fairly secure position.

I’ve seen boards do it in preparation for retreats. One organization I worked at passed a book around among the senior administration, (I wasn’t one of them, alas), with the intent to discuss it. I don’t know if it ever happened.

Anyone have any tales of conversations they have had on a fairly regular basis where a dialogue about vision and theory transpired? (Note I use the word dialogue– pretty one-sided speeches by the executive director don’t count.)

Email me or pop a comment in the old box below.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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