What Will Transit Cuts Mean For Philly Theater Audiences

by:

Joe Patti

Funding cuts for Philadelphia’s transit system known as SEPTA (Southeastern Pennsylvania Transportation Authority) is causing a lot of concern around that city. SEPTA runs both trains and buses. I have seen a lot of concern expressed by parents and schools about how students are going to be able to get to school.

I also recently saw an article discussing concerns theaters in the city have about how the cuts may impact attendance at performances. A survey by the Greater Philadelphia Cultural Alliance revealed a number of attendees either drove or took public transportation. Difficulty parking was identified as a major barrier to attendance and now there is a concern that lack of public transportation may become an issue as well.

As the technical report shared by the Alliance shows, 58% of people in the region drove to the theater venues, while 22% take public transportation, and 20% walk. The Philadelphia-only numbers are a little different — 39% of the city’s theater audiences drove to performances, a comparable 30% took public transit, and 32% walked.

The surveyed audience skews older: Most respondents were between 58 and 77, while only 7% of audience survey respondents and 11% of public opinion respondents fell into the Gen Z (18-25) bracket. Gen Z respondents named cost and the lack of transportation are the two biggest barriers to their participation.

The article notes that most respondents were white, a small number were Black. Latine and Asian participation in the survey was nearly non-existent.

I wanted to point out that while transit cuts potentially impacting 30% of audiences living in Philadelphia, the fact that 32% of people walk to performances says something about the walkability of the city and the distribution of theaters relatively close to residential areas.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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