Upping the Pressure on Sacramento

I’ve been reporting on the changes at Capital Public Radio in Seattle and today came across a thoughtful, well-written article by Cosmo Garvin at Newsreview.com.

the real problem is not that there’s going to be less jazz, it’s that there won’t be enough of anything new… no new local shows added to the new lineup, and nothing that isn’t standard fare for the NPR station in Anytown, U.S.A.

… CPR general manager Rick Eytcheson assured Bites that, “The changes will allow us to do a lot more news programming.” The station has added reporters and a new documentary unit. There will be local newscasts in the evening, and Eytcheson said the station is even planning a weekend, local public-affairs show, along the lines of Insight.

But local programming is hard to do, and expensive. Why not turn to the university which holds the license, and to its students, for help?

Certainly, Sacramento State students, among others, could cheaply produce something more exciting and more relevant to Sacramento than another big slab of BBC.

There are always listeners who get upset when a station changes programming.  Sacramento now has the challenge of providing programming that’s as good or better than what they’ve  taken away.

About Marty Ronish

Marty Ronish is an independent producer of classical music radio programs. She currently produces the Chicago Symphony Orchestra broadcasts that air 52 weeks a year on more than 400 stations and online at www.cso.org. She also produces a radio series called "America's Music Festivals," which presents live music from some of the country's most dynamic festivals. She is a former Fulbright scholar and co-author of a catalogue of Handel's autograph manuscripts.

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