Dallas to get new public Triple A station

We say we’re a blog about “classical music in broadcasting,” but I sometimes like to stretch that mission statement to include other musical genres. Some passions and challenges transcend genre and encompass all music broadcasters who aim to serve the public interest, not just sell ads.

So here’s welcome news of a coup for fans of music and noncommercial radio who live in Dallas, Texas. At a time when few stations have the budgets to expand, KERA, that city’s primary public broadcaster, has struck a deal to buy an FM frequency that it will program with the Triple A format. Triple A, or Adult Album Alternative, assumes various guises at individual stations depending on the programmers in charge. But generally the format showcases rock, folk, alternative, country and other genres — the music’s roots as well as its contemporaries.

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Why We Still Do Radio!

As a radio nerd, I often enjoy reading the stats on the Arbitron website.   There are a couple of reports on there that came out in March, but I don’t think we’ve reported on them yet.

For instance, this one:

Ninety-five percent of adults 25-54 with a college degree and an annual income of $50,000 or more tune into radio over the course of a week.

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KUSC Bucks the Trend and Expands

LA’s sparkling classical radio station KUSC has been bucking trends for a while now, and I’m happy to report that they’ve bucked another one, to the benefit of central California.  While everyone else is cutting costs, KUSC has gone out on a limb and bought another station.  We reported back in October that KUSC would be expanding their signal.  Because of legal complications, that particular transaction fell through, but now the station has purchased KESC in Morro Bay for $1.2 million. KUSC General Manager Brenda Barnes was interviewed by the L.A. Times … Continue Reading

The Public Radio App

Happy Monday!

As a media professional, lately I’ve been asked — no solicited, begged, beseeched — by several classical music organizations for help with their media needs.  It’s getting harder and harder for groups to promote their music in the traditional media.

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