WGCU: Another Classical Station Bites the Dust

Yet another classical music station has decided its classical niche audience is not valuable enough to keep: WGCU in Southwest Florida is dropping its classical format on September 8th to go after bigger audience with news and jazz. The station management will be up in arms at my statement. “We’re not dropping it,” they’ll say. “We’re moving it to our HD stream.” Really. How many of your listeners have HD radios or are likely to buy them to listen to a format you obviously don’t value enough to support with real resources? HD is going nowhere fast.

As I sit here listening to the Democratic National Convention, with all the talk of change and hope, I realize that one of the legacies of the big business era is the meshugaas it has made of classical radio.

We can’t blame the Republicans for the big money grab that was set off after the FCC deregulation in 1996. That was Bill Clinton’s era. Some classical stations sold out for a lot of money and then found that classical was unable to support the higher level of income they needed to pay down the debt.

Then public radio consultant David Giovannoni piled on with his research that convinced public stations to go after bigger audience, to drop niche formatting and mixed formats in favor of a single format model. Essentially his research showed that news/talk delivers the most audience.

WGCU’s decision is mostly in line with Giovannoni’s conclusions. It is currently a mixed format station and with the change will be mostly news/talk. The station plays four hours of classical music a day, and four hours in the evenings, plus a couple hours overnight, but they claim classical listeners pay for only 1/4 of the programming. Well, duh. They put no effort into it. It’s all canned programming, no local hosts.

The classical audience has always been small but exceedingly loyal, and there’s plenty of room in the stratosphere for at least one classical station per market.

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Trojan Family Magazines profiles KUSC

A magazine published by the University of Southern California features a lengthy profile of KUSC-FM, the classical public radio station licensed to the university, and Los Angeles’ most popular full-time classical station. The whole article is worth reading for its depth and its historical scope, but I’ll highlight here what I found particularly noteworthy about KUSC and the thinking that guides its hosts and programmers. Other classical stations should take note.

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Australia’s 4MBS: community engagement to the utmost

Some U.S. classical radio stations promote live performances, sponsor occasional talks or find other ways to get out in their communities, promoting local arts while elevating their profiles in the process. But I’m willing to wager that even the most active station would look like a hopeless underachiever next to Australia’s 4MBS Classic FM.

4MBS stages a dizzying array of musical and cultural events in its hometown of Brisbane, throughout Australia and even on the high seas — concerts, plays, contests, cruises, lectures, classes and more. These activities make 4MBS much more than just a radio station. In fact, General Manager Gary Thorpe credits 4MBS’s growth over the past 15 years to its efforts to engage audiences in so many different ways. The station boasts an annual income on par with that of classical stations in Sydney and Melbourne, homes to many more people than Brisbane.

“We want to show people that the radio station is just the start of the process of connecting with the community,” he wrote in an e-mail. “There are so many other relevant and meaningful things we can do to enhance their lives and the 4MBS experience — broaden their horizons within the classics.”

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Update On KHFM

If you haven’t seen the original post about KHFM in Albuquerque, scroll down to Aug. 10th. In the meantime, I’ve talked to various stakeholders, gruntled and disgruntled, and need to make a couple of corrections. First, it was American General Media’s local manager, Tim Gannon who did the actual firing, though the order apparently came down from the owners. More about them in a minute. Second, the reason winter ratings are down so drastically is that the transmitter was hit by lightning, and the station was off the air for six weeks between Feb. and May.

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