The dual format: neither fish nor fowl

In my last post about broad trends in classical radio, I started to examine the odd beast known in public radio as the “dual format.” A dual-format station airs both news and classical music on weekdays, with NPR’s morning and afternoon newsmagazines, Morning Edition and All Things Considered, sandwiching a midday block of music.

Many stations in public radio adhere to this format — a little more than half of the 450 stations airing classical are dual-format. Most of them serve small- and medium-sized markets where the smaller number of public-radio listeners makes being “all things to all people” more feasible. But a considerable number of dual-format stations have been cutting back on classical in recent years or dumping it entirely, in part due to the thorny problems posed by airing two different kinds of programming. Research shows that most listeners who enjoy classical avoid news programming and vice versa, which forces a dual-format station to try to serve two different audiences. What’s more, stations have found greater success raising money around news programming than around classical.

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Public radio classical net to sign off

According to the blog of the Public Radio Program Directors Association, Classical Public Radio Network is signing off sometime this summer. The around-the-clock classical feed is one of several available to public radio stations looking to fill airtime without having to rely on local staff. Many stations use CPRN or one of the system’s other services, such as Classical 24 or the Beethoven Satellite Network, to fill at least part of their music schedules. Launched in 2003, CPRN, one of the newer services, is a collaborative effort between KUSC in Los Angeles … Continue Reading

Where classical radio is holding steady—and where it’s waning

My co-author Marty and I have been brainstorming loads of ideas for Scanning The Dial, posts that will look up close at classical radio and focus on programs, hosts, strategies, technologies, innovators. But before zeroing in on details, let’s pause and get our bearings in this sonic landscape.

First off, a key question: how widespread is classical music on radio today? And how has that changed in recent years?

To make sense of the answer, let’s break it down a few different ways, first between commercial and public stations. The nonprofit public stations that hang out at the lower end of your radio dial are home to most of the classical music on the air today. Yet a small number of commercial stations remain devoted to the format as well.

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Christopher O’Riley; classical radio in Anchorage; grant to N.J. station

A few items gleaned from here and there: Christopher O’Riley, host of public broadcasting’s From the Top, discusses performing the music of Elliott Smith and Nick Drake: "Elliott’s songs work because they address a whole range of emotional problems. Each song was its own world. With Nick’s music, what interests me most are his instrumentals." O’Riley has some tapings and live performances coming up. KLEF, a commercial classical station in Anchorage, Alaska, tied for second place in share in the market’s fall 2007 Arbitron ratings, reports the city’s Daily News. The station … Continue Reading

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