Why Classical Music on the Radio is Important

Authormarty72x72Mike suggested I write about why classical music on the radio is important. If you’re reading this you’re already a believer, so this topic is sort of preaching to the choir. But — don’t die of shock — I really don’t think classical music on the radio is all that important for the listeners. Ach! Heresy! (Keep reading.)

The real reason classical music is important on the radio is for the musicians. Classical musicians can’t survive professionally in this day and age without radio.

–It’s still the most effective way they have of communicating with their audience.
–It’s how they let you know about their concerts and their recordings.
–It’s how they demonstrate who’s good and who isn’t.
–It’s how they help you figure out what music you like.

And in turn, you help them make a living. Radio is the cheap, portable way for musicians to communicate. Ads in the paper are prohibitively expensive and lack that minor little detail called audio. Downloads are ok if you already know what you want to hear. You might ask, “what about the web?” Well, we’re not there yet. The Chicago Symphony Orchestra broadcasts, for instance, reach some 350,000 listeners a week on-air, but fewer than 2,000 are listening online each week.

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Where classical radio is holding steady—and where it’s waning

My co-author Marty and I have been brainstorming loads of ideas for Scanning The Dial, posts that will look up close at classical radio and focus on programs, hosts, strategies, technologies, innovators. But before zeroing in on details, let’s pause and get our bearings in this sonic landscape.

First off, a key question: how widespread is classical music on radio today? And how has that changed in recent years?

To make sense of the answer, let’s break it down a few different ways, first between commercial and public stations. The nonprofit public stations that hang out at the lower end of your radio dial are home to most of the classical music on the air today. Yet a small number of commercial stations remain devoted to the format as well.

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Christopher O’Riley; classical radio in Anchorage; grant to N.J. station

A few items gleaned from here and there: Christopher O’Riley, host of public broadcasting’s From the Top, discusses performing the music of Elliott Smith and Nick Drake: "Elliott’s songs work because they address a whole range of emotional problems. Each song was its own world. With Nick’s music, what interests me most are his instrumentals." O’Riley has some tapings and live performances coming up. KLEF, a commercial classical station in Anchorage, Alaska, tied for second place in share in the market’s fall 2007 Arbitron ratings, reports the city’s Daily News. The station … Continue Reading

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