{"id":2199,"date":"2015-09-08T09:02:01","date_gmt":"2015-09-08T14:02:01","guid":{"rendered":"http:\/\/www.insidethearts.com\/nondivisi\/?p=2199"},"modified":"2015-09-08T09:02:01","modified_gmt":"2015-09-08T14:02:01","slug":"the-bitter-end","status":"publish","type":"post","link":"https:\/\/insidethearts.com\/nondivisi\/the-bitter-end\/","title":{"rendered":"The Bitter End"},"content":{"rendered":"<p>I first met Christopher Ling around 1994, a few years after he&#8217;d relocated to Beaumont, TX from Manchester, UK (!) and was thinking about starting a management company for classical musicians. I can&#8217;t remember exactly how our paths crossed, but I was working a lot with the Ft. Worth Symphony at the time as concertmaster, often back and forth from NYC. That universe was small, and somehow we ended up on the phone one day. I would&#8217;ve never imagined the horrific conclusion.<!--more--><\/p>\n<p><a href=\"http:\/\/www.insidethearts.com\/nondivisi\/the-bitter-end\/con-man4\/\" rel=\"attachment wp-att-2201\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-2201\" src=\"http:\/\/www.insidethearts.com\/nondivisi\/files\/2015\/09\/con-man4-354x590.jpg\" alt=\"con-man4\" width=\"354\" height=\"590\" srcset=\"https:\/\/insidethearts.com\/nondivisi\/files\/2015\/09\/con-man4-354x590.jpg 354w, https:\/\/insidethearts.com\/nondivisi\/files\/2015\/09\/con-man4-180x300.jpg 180w, https:\/\/insidethearts.com\/nondivisi\/files\/2015\/09\/con-man4.jpg 360w\" sizes=\"auto, (max-width: 354px) 100vw, 354px\" \/><\/a>I could immediately sense that something about Chris didn&#8217;t quite add up; he was a monumental character even over the phone, simultaneously thoroughly\u00a0charming and utterly consumed by his own arrogance, sitting in Beaumont. He was also clearly highly intelligent, with a broad\u00a0knowledge of not only the classical music business\u00a0(at the time) but also an almost encyclopedic mastery of most elements of playing, teaching, or performing on the violin. Shortly after our initial conversations he informed me he and his wife would be moving to LA to get his company up and running.<\/p>\n<p>I happily joined his roster; I&#8217;d had my experiences with a few horrible managers up to that point, and was content\u00a0to have someone even nominally competent to handle the various\u00a0solo dates I was getting on my own. And to hear Chris pontificate, he was about to burn up the classical world from Beverly Hills. However, the dates he developed were few, and\u00a0over the next two years or so I was unsurprised to find myself playing mostly in places I&#8217;d never heard of for very little money, often with conductors from his roster (some of whom were quite talented). Once in awhile I&#8217;d have an honest discourse about CHL Artists with someone else on the roster. Musicians often complain about their managers in some form, but it was clear that I wasn&#8217;t the only person who had some pretty serious concerns\u00a0about all the haze\u00a0surrounding Chris, his history, and his enterprise. Why had he moved from England to the US to get into such a crazy business? Was this all just a reboot of his life (as he claimed)? Was the management essentially a\u00a0vehicle\u00a0for his wife&#8217;s career (a gifted\u00a0violinist and former student of his)?<\/p>\n<p>No one had any convincing\u00a0answers, especially Chris. I saw him in person perhaps a grand total of three times over a few years, each instance\u00a0quite enjoyable and often fueled by his eagerness to impress on some level. I do remember on one occasion\u00a0he mentioned some sort of &#8220;legal issue&#8221; regarding his escape to the US, and I\u00a0naively concluded\u00a0he just was running from some personal problem or quandary. Little did any of us know.<\/p>\n<p>I drew my own conclusions after one too many unscrupulous moves (even for a manager).\u00a0I later learned from various presenters that he&#8217;d usually say\u00a0I was simply unavailable most of the time, but his wife was. So I left (cordially) but I never saw or spoke with him again\u00a0after about 2000 or so. Along with the tectonic changes in the classical business overall, CHL seemed to become a sort of asterisk\u00a0in industry circles, despite the fact that he\u00a0often had some phenomenally gifted musicians on the roster (at least for a little while). But eventually\u00a0it seemed few in the classical world really wanted to deal with his &#8220;charm&#8221; anymore, if that&#8217;s the correct word. He began to represent actors\/actresses\/film composers\u00a0as well. Somehow CHL stayed afloat, prospering enough that his lifestyle didn&#8217;t seem to suffer much.<\/p>\n<p>Then <strong><a href=\"http:\/\/www.theguardian.com\/uk\/2013\/feb\/12\/chris-ling-chethams-teacher-hollywood\">this happened<\/a><\/strong>. And although I could hardly believe it, the pieces suddenly came together. I figured it was only a matter of time until he&#8217;d have to face up to his past. The Chetham&#8217;s investigation <strong><a href=\"http:\/\/www.theguardian.com\/uk\/2013\/mar\/26\/chelthams-teacher-michael-brewer-jailed\">dragged on<\/a><\/strong>, and when the events of 2014 consumed me to some degree, I just forgot about him.\u00a0Until last week, when <strong><a href=\"http:\/\/www.theguardian.com\/us-news\/2015\/sep\/01\/violin-teacher-found-dead-cheshams-music-school\">this happened<\/a>.\u00a0<\/strong><\/p>\n<p>A fitting end, I suppose. And predictable in retrospect, but no less shocking. Such\u00a0a pity that his accusers\u00a0will never genuinely\u00a0have their day in court, with him to face them. My condolences to his family-\u00a0I hope they and his other victims eventually\u00a0move past this horrendous saga.<\/p>\n<p>&nbsp;<\/p>\n<p>Image credit: techteachengage<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first met Christopher Ling around 1994, a few years after he&#8217;d relocated to Beaumont, TX from Manchester, UK (!) and was thinking about starting a management company for classical musicians. I can&#8217;t remember exactly how our paths crossed, but I was working a lot with the Ft. Worth Symphony at the time as concertmaster, often back and forth from NYC. That universe was small, and somehow we ended up on the phone one day. I would&#8217;ve never imagined the horrific conclusion.<\/p>\n","protected":false},"author":34,"featured_media":2201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[27,31],"tags":[138,136,135,137],"class_list":["post-2199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-events","category-violin-stuff","tag-chethams","tag-chl-artists","tag-chris-ling","tag-pip-clarke"],"_links":{"self":[{"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/posts\/2199","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/comments?post=2199"}],"version-history":[{"count":0,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/posts\/2199\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/media\/2201"}],"wp:attachment":[{"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/media?parent=2199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/categories?post=2199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/insidethearts.com\/nondivisi\/wp-json\/wp\/v2\/tags?post=2199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}