Work For Obama? Yes, You Can!

Get Your Plum
The presidential transition team has set up a website at Change.gov where you can actually apply for a non-career position with the new government. There is a link to the transition directory in the lower right hand corner to give you an idea of what to expect if you apply. Even though it is a similar color, it apparently is not the famed Plum Book though you probably can use it to get a sense of the general department for which you may want to work.

I mention this in hopes some passionate people interested in government service will step forward for the NEA, NEH and other cultural and educational departments. There is certainly a need for competent people to enter public service. A foundation endowing the Wilson School at Princeton University is suing the school for not preparing enough people to enter government.

What You Should Really Look At
Even if you have no ambition to work for the government, you may want to contribute at the American Moment: Share Your Vision link. I am sure there are a lot of people with millions of ideas who will contribute via this page and anything we send may get lost in the crush. Still there is a better chance of something happening than if nothing is said.

The page provides the ability to upload a photo or video. My immediate thought was that if someone knows of a great program out there they should create a well written document supported by images and video. Share your vision for an arts education program based on something that works in at a school district in Montana. Talk about the way the local government partnered with industry to lead community investment in that arts center overlooking Lake Erie. Tell them about your idea for changing the tax code to provide arts organizations with other alternatives to the 501 (c) (3) structure. I had no intent of submitting anything myself, but now as I write, I begin to have some ideas.

Where Is The Love?

Where Is That “Yes, We Can Spirit?”
Well, whatever optimism people may have felt about Obama becoming president-elect, it apparently wasn’t enough to offset pessimism over the economy. Not only did the Dow drop 480 some points but I got two separate calls about problems with some tours. Even though the difficulties occur after the performers leave my venue, the whole situation reverberates up the line in the form of inquiries about how flexible I am on a number of matters.

Where Is My Partner?
Then I get a call from one of my partners about a third tour. Given everything that has happened until now, I thought her organization might cancel on a tour too. My fears were compounded by the fact I can’t reach her all morning and suddenly her phone is ringing busy for hours on end. Has she left the phone of the hook so she doesn’t have to tell me the bad news? (Then why did she call me?) Imagine my relief when I realized there was a problem with entire organization’s phone system that was causing it to ring busy and when I learned she had misplaced her copy of the tour contract I am lead partner on and had a simple question.

Where Is This All Going?
When I wrote about the possible impacts of the economic downturn a few weeks ago, I half imagined I wouldn’t have any practical interaction with any of the consequences I was mentioning. If anything, I thought it would be me negatively affecting other people–though there is still plenty of time for that to come to pass.

Where Is the Money!
One semi-positive occurrence this week. The amount the state arts foundation grant panel elected to award us was more than we expected. The bad news is that I found out at 4 pm Monday that the revised proposal was due this Friday. So there was a little bit of a rush since there are two layers of bureaucracy which must review my proposal before it could be submitted and the didn’t work on election day. Of course, the whole process is embraced by the caveat that I may get no reward for my expeditious handling of the paperwork if the governor decides to defund the state foundation.

I also have the sneaking suspicion that the larger than expected grant award is based on the assumption that few will be able to meet the fast deadline and if there is any money to disburse, there will be fewer people to split it between.

Yo Mama Says Mozart For The Win!

Well my esteem for Stephen Colbert was nigh upon worship already due to his encyclopedic knowledge and slavish devotion to the works of J. R. R. Tolkien, but he may have gone up another notch last night. Ah, who am I kidding, the Tolkien knowledge pretty much eclipses everything else. But last evening’s show was pretty impressive since he had Yo-Yo Ma as a guest. The interview begins at about 13:30. Unfortunately, there isn’t a separate clip of the interview so you have to advance the slider. Though there is one of Yo-Yo Ma’s performance after the interview.

What’s the big deal you ask? Yo-Yo Ma is pretty much everywhere. That may be true, but is he on a show that with the audience demographics of the Colbert Report for over a third of a 21 minute program? What made the incident important in my mind was the recollection of Dana Gioia’s graduation address to Stanford University’s Class of 2007 where he noted popular culture once celebrated the achievements of public intellectuals and artists making household names of people like “Robert Frost, Carl Sandburg, Arthur Miller, Thornton Wilder, Georgia O’Keeffe, Leonard Bernstein, Leontyne Price, and Frank Lloyd Wright. Not to mention scientists and thinkers like Linus Pauling, Jonas Salk, Rachel Carson, Margaret Mead…”

He commented that the blame doesn’t flow in one direction, “Most American artists, intellectuals, and academics have lost their ability to converse with the rest of society. We have become wonderfully expert in talking to one another, but we have become almost invisible and inaudible in the general culture.”

So when I see Yo-Yo Ma on Colbert’s show joking with Colbert about the variety of ways people pronounce his name, (including Yo Mama), and referring to himself as being Joe the Cellist in some people’s eyes, I get a little optimistic about artists’ ability to converse with general audiences. I am encouraged when Colbert asks questions like, “Are the candidates addressing the concerns of Joe the Cellist” (here are their positions, by the way) and noting Yo-Yo Ma’s involvement with a variety of projects like the Silk Road Project because it raises general awareness about the importance and reach of artistic endeavors.

Whether it was intentional or not, Colbert addresses the whole issue of classical music being elitist and artists being aloof from the general public which opens the door to Yo-Yo Ma talking about the necessity for humility and collaboration. Colbert also asks if we are winning the classical music wars since the Chinese are studying Mozart and we aren’t clamoring to learn the pipa. Ma replies that it is Mozart that is the real winner. Colbert revisits the idea of classical music being elitist by asking if there are any good cello works about American themes like “pick up trucks and kicking ass” This segues into a request that Yo-Yo Ma play a song for Joe the Truck Driver. I don’t know if the piece he and his friends play is necessarily for Joe, but it also doesn’t conform to any classic music orthodoxy. In fact, I hope the look on Yo-Yo Ma’s face while his bagpiper yawps and hoots at him makes all the average and not so average Joes curious.

Attitudes won’t change overnight but increased awareness through conduits like the Colbert Report can help in the battle. Despite the self-involved bluster his television persona exhibits, Colbert has used his position to advance causes he believes in. One of his Lance Armstrong parodies resulted in a $171, 525 donation to charity.

One comment Dana Gioia made in his Stanford address that I totally forgot about until I went back to link to it, “When a successful guest appearance on the Colbert Report becomes more important than passing legislation, democracy gets scary. No wonder Hollywood considers politics “show business for ugly people.” Given all the potential fodder for comedy during this election season, I wouldn’t be surprised if the significant time devoted to Yo-Yo Ma wasn’t intended to advance an agenda and perhaps put Colbert’s influence to work for culture rather than politics for one night.

Colbert has begun to have musical guests on his show more often. Perhaps it is time to get in touch with his talent booker and send some intriguing performers his way.

Theory Crashes Into Practice

Over on Fractured Atlas, Kamal Sinclair posted some of the responses they have been getting while researching the professional development needs for artists. The focus of the comments in this particular entry revolve around the frustration BFA and MFA students feel when they realize their formal education taught them how to be creative but not necessarily how to exist as a practicing artist and navigate their respective industries.

The entry contains about 10-15 quotes from graduates reflecting on how well or poorly their training program prepared them for careers in their fields. Hoping to provide incentive to read the entire entry, I will resist quoting some of the ones that resonate strongest with me here.

I will note that according to Sinclair, in the course of their research Fractured Atlas found that the problem may be that the training programs are slow to recognize the pressing need. “…sources imply that universities and colleges have a long history of resistance around educating artists in “the business.” The philosophy is that art should be taught for art’s sake.”

Sinclair lists some of the suggestions the respondents had about how to improve the situation. Again, you should read the entry to learn more. Fractured Atlas’ blogs contain a lot of great material on a daily basis and if I lose readership to them by pointing you there, I will still feel victory has been achieved.

I can’t help but cite one of the suggestions that leaped out and smashed me over the head with a frying pan– “Eliminate the myth of “getting discovered.” I tell you, that is just replete with all sorts of complexities. As much as training programs may perpetuate this, it is inherent in society at large. It manifests in shows like American Idol which allows people to believe they have a reasonable chance at becoming famous–the odds of which are only slightly better than winning the Powerball lottery.

Hopefully implicit in that comment was the idea that success can be defined as more than just a Broadway role, recording contract or big gallery show. Those that decide they are just biding their time in their current job until they are discovered are closing off other potential avenues for success. The current president of Valparaiso University went to grad school for acting and directing, for example. Seventeen years and three colleges ago when he was teaching me acting, I would never have figured he would end up as a university president. While a number of doors doubtless opened for him, I am sure he worked hard to position himself near those doorways.