Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice. I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/) My most recent role was as Executive Director of the Grand Opera House in Macon, GA. Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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Poor Guy

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I was sort of heart broken to read that the South Jersey Performing Arts Center is going to be closed. SJPAC is located in Camden, NJ and has always been in the shadow of the New Jersey Performing Arts Center in Newark when it came to state funding.

In fact, most of the arts organizations in New Jersey’s rural south have been given the short shrift by the NJ legislature until recently. By law, funding was supposed to be distributed equitably between the northern and southern parts of the state. Lawmakers tried to get around that by giving the northern groups more money in return for taking programs to the southern part of the state. A lawsuit straightened that arrangement out a few years ago.

The thing that really makes me sad is that for the second time in three years, through no fault of his own, the executive director, Mark Fields is out of a job. Three years ago, the president of Rowan University decided to close the Glassboro Center for the Arts, a performing arts facility located on the campus.

This raised a bit of a furor because he cited lack of funds despite the fact he had just spent HUGE amounts of money on his own house, including a very expensive piano which neither he nor his wife could play. He also chose that time to pour a lot of money into the football team. As a result, there were fewer opportunities for arts exposure in South Jersey, especially given the fact the facility did a fairly large number of school performances.

The impact of the whole situation was made somewhat better by the fact that Mark would be taking his passion to SJPAC. Now that is gone as well despite the success he brought to the organization.

What’s more, SJPAC is almost the last presenting organization of any size in South Jersey. The state is pretty much deciding to export its citizens’ entertainment spending across the river to Philadelphia. And, of course, it is sending out the message that a cultured populace is not important.

The facility is also about the only one with any ability to serve a large number of school children. And let me tell you, Camden is in pretty sorry shape as it is. Having an oasis of culture upon which to anchor improvements was about the only thing it might have had going for it and now that is gone.

A Little Wrapping Up

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From time to time I like to make entries about my involvement in the Performing Arts Presenters of Hawaii booking consortium because I have never come across another situation where arts organizations cooperated so closely with each other for the benefit of all.

I spent most of the day at my consortium’s annual meeting. Essentially, it was a day to look back and assess the success of our cooperative efforts and project forward to next year.

Since we often share the costs of bringing performers in, there was discussion of who bore what percentage of the total share. Also, since we had applied for a hub grant to support the tour of a New Zealand group, we discussed what expenses that money would cover.

There was also discussion about the membership fee structure, if it was valid and if there should be any changes made to the way fees were assessed and how the monies were used. We actually ended up deciding to apply more money toward supporting the attendance of members at the regional booking conference in September.

A new slate of officers was elected, the structure of the committees was debated and the terms of the board of directors were renewed.

The thing that took the most dang blasted time though was trying to set a time in August to have a pre-conference meeting and then a post conference meeting in October to discuss what type of acts we wanted to see and then what really great groups we saw. There are so many people with their own busy schedules, it was a very time consuming process.

So all in all, sure not an exciting time. But it is instructive as to how to form a cooperative environment. I did, however, get more information on the symphony story I have been following from some musicians who attended the meeting. More on that later..

Took Myself To The Orchestra

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Drew McManus over at Adaptistration anointed May as “Take a Friend to the Orchestra Month” He has devoted many of his blog entries this month to following people’s experiences.

Since he listed a concert by the Honolulu Symphony Orchestra as one to see, I thought I would try to take it in. I was coming down with a cold so I wasn’t sure if I was going to go so I didn’t try to get a friend to come along.

Since he provided the impetus, I will probably send my impressions along to him first before deciding to post any of them here. Also, I have gotten sicker since I attended and don’t have the stamina to write much today.

However, Drew took Jerry, brother of WNYC host John Schaefer, to Carniege Hall to see the Chicago Symphony Orchestra. Jerry had never been to the symphony before and today they met with John to discuss the experience on air. Check it out here. There are a lot of great observations made by Drew and Jerry about the experience and about the larger topic of classical music attendance. (And John congratulated Drew on getting Jerry into the symphony where his 40 years of effort have failed.)

Check the radio show out and the entries that fall under the Take a Friend.. topic on Drew’s blog.

You Will Be Assimilated

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I know that there is a rumor that Tavis Smiley was not wanted at NPR because he didn’t have the “NPR Voice” – that low, sedate, even toned voice that follows one of a limited few cadences. The Voice was satirized for a long time on a recurring Saturday Night Live skit about the fictional show “Delicious Dish.” (My favorites were the ones with Alec Baldwin where double entendres were made especially funny by the deadpan, oblivious delivery of the cast members.)

I was a little alarmed though when I heard an entry to Earth & Sky’s Young Producers Contest where a fifth grader was using The Voice to narrate his piece.

I imagine kids that age are smart enough to recognize the common elements of all the NPR shows and will put together what they think adults want. While I am glad the kid is listening to the informative NPR program rather than music talking about sex and alcohol, conformity to that ideal is gonna make high school hard on him. Ironically, I have to say I hope it is a phase he grows out of and begins to embrace a little rebellion. (Certainly his parents won’t thank me for that sentiment.)

While contests rewarding creativity do have many unwritten expectations, they are about showing yourself off rather than mimicking what you have heard. Thus, I was rather pleased to see that the grand prize winners didn’t use The Voice. In fact, it was sort of hard to hear what they were saying because their enunciation was so poor.

Keep up the good work showing off yourselves kids!